bo burnham: inside transcript

This is a heartbreaking chiding coming from Burnham's own distorted voice, as if he's shaming himself for sinking back into that mental state. In the song, Burnham specifically mentions looking up "derealization," a disorder that may "feel like you're living in a dream. Hes bedraggled, increasingly unshaven, growing a Rasputin-like beard. So this is how it ends. At the beginning of "Inside," Burnham is not only coming back to that same room, but he's wearing a very similar outfit: jeans, T-shirt, and sneakers picking up right back where he left off. Burnhams 2013 special, what., culminates in Burnham, the performer, reacting to pre-recorded versions of himself playing people from his life reacting to his work and fame, trying to capitalize on their tenuous relationship with him. Other artists have made works on the wavelength of Repeat Stuff, but few creators with a platform as large as Burnhams return to the topic over and over, touching on it in almost all of their works. BURNHAM: (Singing) Does anybody want to joke when no one's laughing in the background? This sketch, like the "White Woman Instagram" song, shows one of Burnham's writing techniques of bringing a common Internet culture into a fictionalized bit. Theres a nostalgic sweetness to this song, but parts of it return throughout the show, in darker forms, one of many variations on a theme. All Eyes on Me takes a different approach to rattling the viewer. . Now get inside.". The tropes he says you may find on a white woman's Instagram page are peppered with cultural appropriation ("a dreamcatcher bought from Urban Outfitters") and ignorant political takes ("a random quote from 'Lord of the Rings' misattributed to Martin Luther King"). The global pandemic and subsequent lockdown orders of March 2020 put a stop to these plans. Burnham brings back all the motifs from the earlier songs into his finale, revisiting all the stages of emotion he took us through for the last 90 minutes. He brushes his teeth, eats a bowl of cereal, and begins editing his videos. Burnham skewers himself as a virtue-signaling ally with a white-savior complex, a bully and an egoist who draws a Venn diagram and locates himself in the overlap between Weird Al and Malcolm X. Burnham is an extraordinary actor, and "Inside" often feels like we're watching the intimate, real interior life of an artist. See our analysis of the end of the special, and why Burnham's analogy for depression works so well. Long before the phrase parasocial relationship had entered the mainstream zeitgeist, Burnhams work discussed the phenomenon. But we weren't. One of the most encouraging developments in comedy over the past decade has been the growing directorial ambition of stand-up specials. Whatever it is, NPR's Linda Holmes, host of Pop Culture Happy Hour, has reviewed it, and she liked it. Burnham achieved a similar uncanny sense of realism in his movie "Eighth Grade," the protagonist of which is a 13-year-old girl with extreme social anxiety who makes self-help YouTube videos. It's a reprieve of the lyrics Burnham sang earlier in the special when he was reminiscing about being a kid stuck in his room. "The poioumenon is calculated to offer opportunities to explore the boundaries of fiction and reality the limits of narrative truth," Fowler wrote in his book "A History of English Literature.". Burnham uses vocal tuning often throughout all of his specials. Let's take a closer look at just a few of those bubbles, shall we? The song is a pitched-down Charli XCX-styled banger of a ballad has minimal lyrics that are mostly just standard crowd instructions: put your hands up, get on your feet. And it portends and casts doubt on a later scene when his mental health frays and Burnham cries in earnest. And it's important to remember, you know, this is a piece of theater. "I was a kid who was stuck in his room, there isn't much more to say about it. Copyright 2021 NPR. WebStuck in a passionless marriage, a journalist must choose between her distant but loving husband and a younger ex-boyfriend who has reentered her life. But in recent years, theres been enough awareness of online behavior to see how parasocial relationships can have negative impacts on both the creator and the audience if left uninterrogated by both parties. I don't think it's perfectly morally defendable.". Get up. HOLMES: Well, logically enough, let's go out on the closing song. "), Burnham sang a parody song called "Sad" about, well, all the sad stuff in the world. It's progress. You know, as silly as that one is, some of the other ones are more sedate. Inside, a new Netflix special written, performed, directed, shot, and edited by comedian Bo Burnham, invokes and plays with many forms. It's self-conscious. Burnham has said in interviews that his inspiration for the character came from real YouTube videos he had watched, most with just a handful of views, and saw the way young women expressed themselves online. Burnham's growth is admirable, but also revealing of how little we expect from men in the industry. But by the end of the tune, his narrative changes into irreverence. In one interpretation, maybe the smile means he's ready to be outside again. He puts himself on a cross using his projector, and the whole video is him exercising, like he's training for when he's inevitably "canceled.". Went out to look for a reason to hide again. "The world needs direction from a white guy like [you] who is healing the world with comedy. The frame is intimate, and after such an intense special, something about that intimacy feels almost dangerous, like you should be preparing for some kind of emotional jump scare. Web9/10. Right after the song ends, the shot of Burnham's guest house returns but this time it's filled with clutter. Yes, Amazon has a pre-order set up for the album on Vinyl. WebBo Burnham's "Inside" special on Netflix is an incredibly detailed musical-comedy artwork. Its a lyrically dense song with camerawork that speeds up with its rhythm. Known as "Art is a Lie, Nothing is Real," there's a bit Burnham did at the start of his 2013 special "what." Comedian and filmmaker Bo Burnham used his time alone during the pandemic to create a one-man show. Comedian Bo Burnham recently a new comedy special for Netflix aptly titled Inside which was filmed entirely by himself while under lockdown during the Coronavirus Pandemic in 2020. The label of parasocial relationship is meant to be neutral, being as natural and normal and, frankly, inescapable as familial or platonic relationships. Most creator-made content online is available for free, meaning creators usually have to rely on their fans for income via crowdfunding like Patreon. But he knows how to do this. You know, I was not, you know, I was alone, but I was not trapped in one room. From the very beginning of "Inside," Burnham makes it clear that the narrative arc of the special will be self-referential. Bo Burnham's new Netflix comedy special "Inside" is jam-packed with references to his previous work. It's like Burnham's special has swallowed you whole, bringing you fully into his mind at last. And many of them discuss their personal connection to the show and their analysis of how Burnham must have been thinking and feeling when he made it. He uploaded it to YouTube, a then barely-known website that offered an easy way for people to share videos, so he could send it to his brother. Yes, Bo Burnham posted a trailer via Twitter on April 28, 2021. Down to the second, the clock changes to midnight exactly halfway through the runtime of "Inside.". I got so much better, in fact, that in January of 2020, I thought 'you know what I should start performing again. Its an instinct I have for all my work to have some deeper meaning or something. An older Burnham sits at a stool in front of a clock, and he says into a microphone that he's been working on the special for six months now. Get the fuck up! Burnham walks towards the camera and grabs it like hes grabbing the viewer by the throat. Other than Fred Rogers, Bo Burnham is one of the most cited single individual creators when discussing parasocial relationships. So let's dive into "Inside" and take a closer look at nearly every song and sketch in Burnham's special. When you're a kid and you're stuck in your room, you'll do any old s--- to get out of it.". BURNHAM: (Singing) Could I interest you in everything all of the time, a little bit of everything all of the time? Inside is a tricky work that for all its boundary-crossing remains in the end a comedy in the spirit of neurotic, self-loathing stand-up. ", From then on, the narrative of "Inside" follows Burnham returning to his standard comedic style and singing various parody songs like "FaceTime with My Mom" and "White Woman's Instagram.". HOLMES: Thank you. "Part of me needs you, part of me fears you. He's self-evaluating his own visual creation in the same way people will often go back to look at their Instagram stories or posts to see how it looks after they've shared it. Something went wrong. So for our own little slice of the world, Burnham's two time spans seem to be referencing the start and end of an era in our civilization. He was alone. This line comes full circle by the end of the special, so keep it in mind. And like unpaid interns, most working artists cant afford a mortgage (and yeah, probably torrent a porn). "You say the ocean's rising, like I give a s---, you say the whole world's ending, honey it already did, you're not gonna slow it, heaven knows you tried," he sings. Burnham quickly shifts from the song to a reaction video of the song itself in the style of a YouTuber or Twitch streamer. But by using this meta-narrative throughout the whole special, Burnham messes with our ability to know when we're seeing a genuine struggle with artistic expression versus a meticulously staged fictional breakdown. Released on May 30, 2021, Bo Burnham wrote, recorded, directed, and produced Inside while in lockdown during the COVID-19 pandemic of 2020. The special is hitting an emotional climax as Burnham shows us both intense anger and then immediately after, a deep and dark sadness. They may still be comical, but they have a different feel. "Healing the world with comedy, the indescribable power of your comedy," the voice sings. And I think the pandemic was a time when a lot of people were in this do I laugh or cry space in their own minds. It has extended versions of songs, cut songs, and alternate versions of songs that were eventually deleted; but is mainly comprised of outtakes. When he appeared on NPR's radio show "Fresh Air" with Terry Gross in 2018, the host played a clip of "My Whole Family" and Burnham took his headphones off so he didn't have to relisten to the song. It's full circle from the start of the special, when Burnham sang about how he's been depressed and decided to try just getting up, sitting down, and going back to work. ", He then pulls the same joke again, letting the song play after the audience's applause so it seems like a mistake. BURNHAM: (Singing) The live-action "Lion King," the Pepsi halftime show, 20,000 years of this, seven more to go. Burnham makes it textual, too. Relieved to be done? So when you get to the end of a song, it often just kind of cuts to something else. WebBo Burnham: Inside is by far one of the riskiest and original comedy specials to come out in years. At the start of the special, Burnham sings "Content," setting the stage for his musical-comedy. that shows this exact meta style. The result, a special titled "Inside," shows all of Burnham's brilliant instincts of parody and meta-commentary on the role of white, male entertainers in the world and of poisons found in internet culture that digital space that gave him a career and fostered a damaging anxiety disorder that led him to quit performing live comedy after 2015. You can stream "Inside" on Netflix now, and see our ranking of all 20 original songs from the special here. But it doesn't. (SOUNDBITE OF COMEDY SPECIAL, "BO BURNHAM: INSIDE"). Doona! .] Burnham reacts to his reaction of the song, this time saying, Im being a little pretentious. WebBo Burnham: Inside (2021) Exploring mental health decline over 2020, the constant challenges our world faces, and the struggles of life itself, Bo Burnham creates a. wonderful masterpiece to explain each of these, both from general view and personal experience. That his special is an indictment of the internet by an artist whose career was born and flourished there is the ultimate joke. MARTIN: And it's deep, too. WebA grieving woman magically travels through time to 1998, where she meets a man with an uncanny resemblance to her late love. Its folly to duplicate the feel of a live set, so why not fully adjust to the screen and try to make something as visually ambitious as a feature? Please check your email to find a confirmation email, and follow the steps to confirm your humanity. In his first Netflix special (2013's "what. But Burnham doesn't put the bottle down right, and it falls off the stool. and concludes that if it's mean, it's not funny. of the internet, welcoming everyone with a decadent menu of options while disco lights twirl. Self-awareness does not absolve anyone of anything, he says. Inside is the work of a comic with artistic tools most of his peers ignore or overlook. NPR transcripts are created on a rush deadline by an NPR contractor. Got it? Burnham is especially aware as a creator constantly reflecting on his own life. But before that can register, Burnham's eyes have closed and the special transitions to the uncannily catchy song "S---," bopping about how he hasn't showered in nine days or done any laundry. And it has a lot of very clever and very quick wordplay about the specific things you can get on the internet. This is especially true for Patreon campaigns that give fans direct access to creators on platforms like Discord. We see Burnham moving around in the daylight, a welcome contrast to the dark setting of "All Eyes on Me." It moves kind of all over the place. Under the movies section, there's a bubble that says "sequel to classic comedy that everyone watches and then pretends never happened" and "Thor's comebacks.". ", Right as Burnham is straightening up, music begins blaring over the speakers and Burnham's own voice sings: "He meant to knock the water over, yeah yeah yeah, but you all thought it was an accident. The tension between creator and audience is a prominent theme in Burnhams work, likely because he got his start on YouTube. He brushes his teeth, eats a bowl of cereal, and begins editing his videos. Inside has been making waves for comedy fans, similar to the ways previous landmark comedy specials like Hannah Gadsbys Nanette or Tig Notaros Live (aka Hello, I Have Cancer) have. "Goodbye sadness, hello jokes!". Because there's also a little bit Bo Burnham the character in this almost. That YouTube commenter might be understood by Burnham if they were to meet him. The song begins with a fade in from back, the shot painfully close to Burnhams face as he looks off to the side. The special was nominated for six Emmy Awards in 2021, of which it won three: Outstanding Writing for a Variety Special, Outstanding Directing for a Variety Special, and Outstanding Music Direction. He decided to stop doing live performances, and instead set out to write and direct his first feature film, the critically-acclaimed 2018 movie "Eighth Grade." Likewise. He doesn't really bother with any kind of transitions. Sitting in the meeting room, not making a sound becomes the perceived 24/7 access fans have to DM you, reply to you, ask you questions. / Are you having fun? The crowd directions are no longer stock pop song lyrics; now, the audience understands them as direct orders to them from Burnham. "That's a good start. Once he's decided he's done with the special, Burnham brings back all the motifs from the earlier songs into "Goodbye," his finale of this musical movie. If we continue to look at it from the lens of a musical narrative, this is the point at which our protagonist realizes he's failed at his mission. He grabs the camera and swings it around in a circle as the song enters another chorus, and a fake audience cheers in the background. When we see it again towards the end of the special, it's from a new camera angle. HOLMES: That was NPR's Linda Holmes reviewing Bo Burnham's new Netflix special "Inside." Back in 2010, Burnham appeared on Showtime's "The Green Room," a comics round table hosted by Paul Provenza. Later in Inside, Burnham thanks the audience for their support while holding them at knifepoint. (The question is no longer, Do you want to buy Wheat Thins?, for example. Most sources discuss fictional characters, news anchors, childrens show hosts, or celebrity culture as a whole.

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